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文化形态学视域中的戏曲兴衰

作者:戴义德 出版日期:2017年12月 报告页数:26 页 报告大小: 报告字数:22030 字 所属图书:文化发展论丛 2017年第3卷 浏览人数: 下载人数:

文章摘要:中国戏曲作为中华艺术文化的一种经典形态,也在中华文化的历史发展中兴衰流变。当代中国戏曲的困境首先是管理体制的困境。社会生产力的进步,经济的发展导致了戏曲经典形态的嬗变。艺术生产与物质生产发展不平衡的规律决定了中国戏曲不可能再以历史上的经典形态被生产出来,它将分化为精彩的审美文化“碎片”,成为新的演剧形态的艺术“基因”。

Abstract:As a classic form of Chinese art culture,Chinese opera also has experienced rise and fall during the historical development of Chinese culture.Contemporary Chinese opera is facing the dilemma of management system.The progress of social productive forces and the economic development have led to the evolvement of Chinese opera's classic form.The principle that art production cannot be balanced with material production determines that C... 展开

Abstract:As a classic form of Chinese art culture,Chinese opera also has experienced rise and fall during the historical development of Chinese culture.Contemporary Chinese opera is facing the dilemma of management system.The progress of social productive forces and the economic development have led to the evolvement of Chinese opera's classic form.The principle that art production cannot be balanced with material production determines that Chinese opera can never be produced as its classic form in the history.Instead,it will be divided into wonderful “pieces” of aesthetic culture,becoming the art “gene” of a new Chinese opera form.

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作者简介

戴义德:戴义德(1948~),湖北省艺术研究院研究员。研究方向为戏剧文化、文艺美学,著有《不满足感:审美超越与文艺创新的基础》《当代文化转型与传统戏曲形态的嬗变》等。电子邮箱:daiyide@126.com。