您好,欢迎来到一带一路数据库!

全库
全文
  • 全文
  • 标题
  • 所属丛书
  • 作者/机构
  • 关键词
  • 主题词
  • 摘要
高级检索

您好,欢迎来到一带一路数据库!

一脉相承:日本敦煌本《文心雕龙》校勘三白眉

作者:冯斯我 出版日期:2024年01月 报告页数:18 页 报告大小: 报告字数:15695 字 所属图书:日本文论 2023年第1辑(总第9辑) 浏览人数: 下载人数:

文章摘要:唐代草书手抄本《文心雕龙》即敦煌本《文心雕龙》是《文心雕龙》的重要刊本。日本“《文心雕龙》学”的生成从一开始便与敦煌学紧密相连,其关联点便是敦煌出土的唐人草书《文心雕龙》残卷。日本铃木虎雄于1926年、1929年先后发表的论文《敦煌本文心雕龙校勘记》和《黄叔琳本文心雕龙校勘记》,标志着近代日本中国学、“《文心雕龙》学”的勃兴。其后,户田浩晓的《〈黄叔琳本文心雕龙校勘记〉补》和《作为校勘资料的文心雕龙敦煌本》,以及斯波六郎的《文心雕龙范注补正》... 展开

文章摘要:唐代草书手抄本《文心雕龙》即敦煌本《文心雕龙》是《文心雕龙》的重要刊本。日本“《文心雕龙》学”的生成从一开始便与敦煌学紧密相连,其关联点便是敦煌出土的唐人草书《文心雕龙》残卷。日本铃木虎雄于1926年、1929年先后发表的论文《敦煌本文心雕龙校勘记》和《黄叔琳本文心雕龙校勘记》,标志着近代日本中国学、“《文心雕龙》学”的勃兴。其后,户田浩晓的《〈黄叔琳本文心雕龙校勘记〉补》和《作为校勘资料的文心雕龙敦煌本》,以及斯波六郎的《文心雕龙范注补正》和其关于《文心雕龙》前四篇的札记进一步完善了铃木虎雄的校勘。特别是斯波六郎在校勘的同时还对字词、文义做了疏释,从而建构了颇具特色的日本《文心雕龙》校勘研究,彰显了敦煌本《文心雕龙》的历史地位和价值。

收起

Abstract:The Tang Dynasty cursive manuscript Carving a Dragon at the Core of Literature,also known as the Dunhuang’s version of Carving a Dragon at the Core of Literature,is an important publication of Carving a Dragon at the Core of Literature. The generation of Japan’s studies of Carving a Dragon at the Core of Literature is closely connected to Studies of Dunhuang Caves from the beginning. The association is the residual volume of the T... 展开

Abstract:The Tang Dynasty cursive manuscript Carving a Dragon at the Core of Literature,also known as the Dunhuang’s version of Carving a Dragon at the Core of Literature,is an important publication of Carving a Dragon at the Core of Literature. The generation of Japan’s studies of Carving a Dragon at the Core of Literature is closely connected to Studies of Dunhuang Caves from the beginning. The association is the residual volume of the Tang cursive manuscript of Carving a Dragon at the Core of Literature unearthed from Dunhuang. The papers published by Suzuki Torao in Japan in 1926 and 1929 “Collation of Dunhuang’s Version of Carving a Dragon at the Core of Literature” and “Collation of Huang Shulin’s Ersion of Carving a Dragon at the Core of Literature” marked the prosperity of modern Japanese Chinese studies and studies of Carving a Dragon at the Core of Literature. After that,Toda Hiroshi’s “Complement of Collation of Huang Shulin’s Version of Carving a Dragon at the Core of Literature” and “Proofreading the Data of Carving a Dragon at the Core of Literature”,and Shiba Rokuro’s “Fan Wenlan’s Correction of Carving a Dragon at the Core of Literaturet” and The first four notes of Carving a Dragon at the Core of Literature further promoted Suzuki Torao’s works. In particular,Shiba also explained the words and sentences in details,which contribute to construct a Japanese style of collation which shows the historical status and value of Dunhuang’s version of Carving a Dragon at the Core of Literature.

收起

作者简介

冯斯我:冯斯我,文学博士,广东外语外贸大学日语语言文化学院讲师,日本福冈大学人文学部研究员,主要研究方向为日本中国学、比较文学研究。