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扎根本土,面向世界——论马来西亚二十四节令鼓对传统鼓乐的继承、创新与全球传播

作者:郑诗傧 所属图书:华侨华人文献学刊(第四辑) 图书作者:张禹东 庄国土 陈景熙 何妍 出版时间:2017年03月 所属丛书:
报告字数:14819字 报告页数:16页

文章摘要:中国古代,鼓或用于战争与祭祀,或用于节庆与劳作。随着中国开启对外交流,鼓乐便随着经济文化的交流传播到海外,包括马来西亚。中华传统鼓乐在马来西亚的华人社会里逐渐发展,并经历改革与创新。1988年,柔佛新山工会举办第九届全国华人舞蹈节,工委会策划人陈再藩受到9面南方狮鼓“撼天雄浑”的鼓声启发,进一步以24面鼓代表每个农历的节令,把天地人融合为一体并结合作曲家陈徽崇的创作,最后创作出二十四节令鼓。从此,二十四节令鼓在马来西亚发展开来,成了迎宾或开... 展开

文章摘要:中国古代,鼓或用于战争与祭祀,或用于节庆与劳作。随着中国开启对外交流,鼓乐便随着经济文化的交流传播到海外,包括马来西亚。中华传统鼓乐在马来西亚的华人社会里逐渐发展,并经历改革与创新。1988年,柔佛新山工会举办第九届全国华人舞蹈节,工委会策划人陈再藩受到9面南方狮鼓“撼天雄浑”的鼓声启发,进一步以24面鼓代表每个农历的节令,把天地人融合为一体并结合作曲家陈徽崇的创作,最后创作出二十四节令鼓。从此,二十四节令鼓在马来西亚发展开来,成了迎宾或开幕仪式的重要表演项目。二十四节令鼓不仅提升了中华鼓乐的传统文化地位,也提升了鼓乐的艺术欣赏价值。然而,二十四节令鼓在马来西亚的发展得以如此稳健、快速,是因为马来西亚有非常完善的传播机制。也正因为如此,二十四节令鼓从一支鼓队发展到一个品牌文化,并成功地在全球传播开来。十年来,马来西亚的二十四节令鼓通过留学生远传至新加坡、中国大陆、台湾、泰国、印尼、美国、英国、文莱和澳大利亚等国家和地区。基于此,本文将着重探讨二十四节令鼓对中国传统鼓乐的继承、创新及其全球传播。

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Abstract:In ancient,drum to be used for weapon,worship,festival or farming. With the opening of China’s foreign exchange,drum had disseminated and spread overseas with economic and cultural exchanges,including Malaysia. Traditional Chinese drum music had gradually growth in Malaysian Chinese community and reformed and innovated. In 1988,Johor Bahru Association Johor had organized The 9th National Chinese Dancing Festival,the event plan... 展开

Abstract:In ancient,drum to be used for weapon,worship,festival or farming. With the opening of China’s foreign exchange,drum had disseminated and spread overseas with economic and cultural exchanges,including Malaysia. Traditional Chinese drum music had gradually growth in Malaysian Chinese community and reformed and innovated. In 1988,Johor Bahru Association Johor had organized The 9th National Chinese Dancing Festival,the event planner Tan Chai Puan had inspired by the drumming of Nine Lion Drums and to create the 24 Festive Drums by combining the 24 festive from Lunar Calendar and musician Tan Hooi Song’s creation. Thence,the 24 Festive Drums had developed robust and rapidly in Malaysia and become an important performance in welcoming or opening ceremony. The 24 Festive Drums not only enhance the traditional Chinese drum music cultural status,but also enhance the art appreciation value of drum music. However,the development of 24 Festive Drums in Malaysia has been so robust and rapidly because of Malaysia has a very good communication mechanism. Therefore,the 24 Festive Drums has become a brand culture from a team and spread globally. Over the past decade,through students overseas,Malaysia’s festive drums has spread to Singapore,China mainland,Taiwan,Thailand,Indonesia,United State,United Kingdom,Brunei,Australia and around the world. Based on this,this article will focus on the 24 Festive Drums on the traditional Chinese drum music inheritance,innovation and global spread.

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作者简介

郑诗傧:郑诗傧,马来西亚新纪元大学学院中文系专任讲师。

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